11/28/2022 0 Comments Stick death theater![]() Cheryl, who is used to being treated as an unofficial family member, is likewise ill at ease in her new role and is about to discover - well, never mind. She grew up in relative poverty with serious daddy issues, and is particularly uneasy in the presence of the 18-year-old Cheryl (Condola Rashad), who is taking over the duties usually performed by her ailing mother, the housekeeper. She is about as Italian as Martha Stewart, for starters, but with her bona fides studying “race dynamics in inner-city schools” and her background of privilege, she fits more smoothly into the grooves of the LeVay family than Taylor does, causing Taylor’s already blossoming insecurities to multiply.Īlthough Taylor’s father was a celebrated academic whose books about African-American history are displayed on the LeVay shelves, Taylor and her mother struggled after her father abandoned them to start a new family. A startled look of recognition between Flip and Taylor telegraphs the first of many a dramatic revelation to come.Ī dense fog of tension really begins rolling ashore when Kimber (Rosie Benton), Flip’s girlfriend, arrives. They are soon joined by Kent’s brother, Flip (Mekhi Phifer), a supremely self-assured plastic surgeon who casually lets it be known that his girlfriend, also meeting the LeVay clan for the first time, is “Italian.” Or a little “melanin-challenged,” as Kent sardonically puts it. (The play’s title derives from Taylor’s study of the common housefly, although the metaphor involved doesn’t really get airborne.) Diamond’s play, set in an imposing manse on Martha’s Vineyard over a few fractious summer days.įirst to arrive are Kent (Dulé Hill), the younger son who is soon to be a first-time novelist, and his fiancée, Taylor (Tracie Thoms), an entomologist who has not yet met any of the family and is instantly overawed by the air of casual wealth on display. ![]() ![]() Pointed discussions of race and class erupt as often as testy personality clashes in Ms. Diamond, supplies enough simmering conflict, steamy romance and gasp-worthy revelations to satisfy just about anyone suffering withdrawal symptoms from the merciless soap slaughter that’s taken place over the last couple of years.Īnd yet this overstuffed but lively comedy-drama, which opened on Thursday night at the Cort Theater, also signifies a departure for Broadway in its depiction of generational conflict and sexual sparks among a well-to-do contemporary African-American family and friends. “Stick Fly,” a juicy family drama by Lydia R. ![]() Where to go for a sustaining dose of torrid, troubled romances and the occasional heated catfight? The daytime soaps are being bug-zapped from the networks one by one, disappearing into oblivion after decades of reliably dishing out startling coincidences and staggering secrets. ![]()
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